Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.

Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.

Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.

Starting from John Cage's Zen quote--"Every day is a good day"--the trio of Rachael Wadham on piano, Philippe Lenglet on acoustic guitar and cithar (a type of harp), and contrabass, recorded these improvisations approaching their instruments not for melodies but as tools for experimentation, from which this trio finds a wealth of inventive sound.